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Folks, we did it. We managed to find a hip hop record that Chris Cusack enjoyed. We're fairly sure that this is one of the signs of the apocalypse so we're probably just going to end the podcast here. Thanks to everyone who listened.

Joking aside though, this is a screamer of an album. People have been drawing comparisons between punk and hip hop since...well, forever. The line between the two is drawn pretty clearly on this album. P.O.S himself was a punk kid, but growing up in the cultural and musical melting pot that is Minneapolis meant that there was a great deal of other influential music lurking just around the corner. Indeed, the diversity of the artists that come from the city is telling of the city's cultural and creative landscape. And did we mention that it was the home of Prince, perhaps one of the masters of genre-hopping?

This is P.O.S third album, and like every album before or since, it's a singular musical, tonal entity in his oeuvre. He's artist that never wants to cover the same ground twice, and whilst we all couldn't necessarily agree on if each of his records are successful at melding together as many disparate influences as this one, we all certainly agreed that this is his best work. And we all agreed that this should indeed make it into our discography of unsung classics.

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