Emocore? It was a thing. Lifetime are well regarded by a ton of bands, and the influence they had on emo is huge. We talk about the band, their off shoots, their place in punk and more.
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ABBA are just bloody great. That’s the crux of this entire two parter, if we’re honest. We all love them. We’ve picked some songs we think are their most unsung (mostly) and explained why too. As per. Do it.
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We keep our promises. This, friends, is part one of our epic ABBA mixtape. We even play a game called AXIS OF ABBA (retconned of course) which you can play along with today! This week - a little of the band’s history and we rank their most popular songs.
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In part two we cover FNM’s career from King for a Day to Sol Invictus, and ask you the most important question - is King for a Day…Fool for a Lifetime an Unsung classic?! Listen and vote.
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Faith No More. Finally. We've decided that Mike Patton is to be the first artist to have had more than one album discussed on this podcast, and we begin by talking about this weird band's weird career.
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After giving his career a thorough going over, we finally get down the vital question - is Madvillainy worth of a place in our discography of unsung classics?
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To mark the passing of the iconic MF DOOM, we take a look at his entire career in part one of our look at his life, work, and the 2004 collaboration with Madlib, Madvillainy.
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The thrilling conclusion to our epic two parter in the history, influence and discography of the Cocteau Twins, followed by a proper analysis of their much vaunted classic Heaven or Las Vegas.
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We return to normality as we take a second stab at dissecting the Cocteau Twins and Heaven or Las Vegas. We cover a lot of their career here and it’s a fact overload. But in a good way! Side B next week.
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The gloves are off, and things are becoming increasingly ramble-y and confrontational. But we did it. We hope you enjoyed these four episodes. We'll be much better behaved this year.
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This is when things start to get a bit...interesting. We start off with a huge segment on Taylor Swift and then things swiftly (no pun intended) off the rails. By the end, it's more or less complete chaos. We also talk about our favourite albums of the year too!
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We’re in the goldilocks zone here folks. The booze is kicking in but we’re still somewhat coherent. We go in hard on the affect Brexit is going to have on music and trust me when I say, it’s bleaker than you ever imagined. But there’s also a bunch of hilarious stuff on this episode too. See you in 2021!
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As is our festive tradition, we ask you fine folk to ask us some questions and then we go ahead and answer them whilst getting ridiculously drunk. The latter doesn’t quite happen in part one, but we do hear from previous guests! Hope you had a great Christmas - we’ll see you in the New Year!
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This episode is not as frantic (tick-tick-tick-tock) as you might hope, but we do give the band’s discography from Damage Inc. to the present day a good going over. Including Lulu. Then Dave passionately defends St. Anger. Sparks fly.
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WE ARE THREE YEARS OLD. What better way to celebrate than by undermining the entire concept of this show and doing a two parter on Metallica’s critically reviled 2003 album St. Anger? Content warning: opinions contained within.
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Our first ever REWIND is here! Due to technical gremlins we have chosen to re-upload this classic episode on Mariya Takeuchi’s album ‘Variety’. Enjoy.
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OH MY. Things get a bit TENSE this week as we talk about Health’s third album Death Magic. Buckle the fuck up. It’s gonna be a long, angry yin (for some folk).
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You still want Wire? Cause we got more! This week we finally get down to brass tacks - is Pink Flag as influential as folk say it is, and does it deserve a place in our discography?
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You want Wire? We got some. This week is part one of a mammoth deep dive into their 40+ years of music with the help of post-punk expert Ferrucio Quercetti from the Italian band Cut.
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This week it’s Unsung vs Coronavirus and boy to things get fighty. We welcome back Vicki Henry to probe just what it means to be an artist right now, the issues that many musicians etc are facing, the nature of arts funding, and question what things may look like in future.
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