Let's fall into the abyss with The Haxan Cloak. This week, we chat all about the whole (small) discography of The Haxan Cloak and the (larger) discography of Bobby Krilc the film, TV and video game composer.
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In the final two episodes of this series on R.E.M. we continue our odyssey into R.E.M.'s discography by completing the rest of the band’s back catalogue from Automatic for the People right up to their disbandment after Collapse Into Now. Then in Side D, Chris tells us why Automatic for the People is their unsung classic.
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In the first two episodes of our series on R.E.M. we give a bunch of context for the series, and give a little bit of insight into why we've picked R.E.M., why Chris has picked New Adventures in Hi-Fi as an Unsung classic and our initial impressions of R.E.M. as a band. In Side B we chat about the band’s time on I.R.S. records, giving our highlights and lowlights.
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This week we return with some leftover questions from our Xmas special from last year. We chat about the future of the pod, what keeps us going and also some funny stuff too.
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A little update on what's in store for the future of this podcast.
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PART TWO of our Xmas Xtravaganza. It’s very late, we know, but we answer EVERY question across this episode and next. ENJOY, YO!
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PART TWO of our Xmas Xtravaganza. It’s very late, we know, but we answer EVERY question across this episode and next. ENJOY, YO!
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It’s late, but HERE IT IS: Xmas Xtravaganza part one. Recorded remotely, due to COVID, and a bit more subdued tha normal, but still fun. More hot takes to come, of course, but we hope you like it!
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Inspired by a recent trip to a karaoke booth for Chris’ birthday, we dive into the history of karaoke and hear from some previous guests about what their go to tunes are.
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Inspired by a recent trip to a karaoke booth for Chris’ birthday, we dive into the history of karaoke and hear from some previous guests about what their go to tunes are.
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Grant Donaldson from Moni Jitchell joins us to talk about the debut album of from ‘68.
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This week Chris brings us the haunting sounds of Anna Von Hausswolff, as he explains why her most recently collection, a live record titled Live at Montreux Jazz Festival, is the ultimate example of her sound.
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We’re back! With Dave! Chris has a new computer. Ransomware goons are banished. And this week Dave’s getting angsty as he talks about You Come Before You by Poison the Well.
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Jan from The Drum popped onto the show to tell us all about the recording of Diskin and much more.
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Last week, Chris was subject to a randsomware attack which has unfortunately resulted in a complete loss of data from his laptop. So there’s no episode this week.
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We flex our jouranlistic muscles this week and next in a special double episode on streaming manipulation on Spotify. This week, we talk about the art of payola, and how it laid the groundwork for streaming manipulation in the modern age.
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We flex our jouranlistic muscles this week and next in a special double episode on streaming manipulation on Spotify. This week, we talk about the art of payola, and how it laid the groundwork for streaming manipulation in the modern age.
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This week we have a very special interview with the brilliant Eugene S. Robinson.
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We finally get down to talking about why Incesticide may be Nirvana’s unsung classic.
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In part two we dive into the band’s studio albums as well as MTV Unplugged.
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